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Tuesday, 31 July 2012

Following The Mozziah Day 321 Tuesday July 31st 2012

USHER HALL, EDINBURGH, SCOTLAND MONDAY JULY 30TH 2012


SETLIST


1. DREAMT
2. EVERYDAY IS RON HULDAI
3. ALMA
4. PARIS
5. KILLED ME
6. SHOPLIFTERS OF THE WORLD TONIGHT
7. (YOU'RE SO VAIN) FATTY
8. SPEEDWAY
9. MALLARD BASTARD
10. STILLILL
11. GOODBYE, FAREWELL
12. OUIJA
13. KNOW OVER
14. KISS HUGH
15. SAME OLD PEOPLE
16. TO GIVE
17. PLEASE PLEASE ME
18. FAR-OFF FAWCETT MAJORS
19. MEET YOUR MEAT
20. OCH AYE THE NOO?


The MorrisseysWorld blog has gone quiet and there is no sign of 'Our Mozzer' on twitter, so were NONE of the 9 things on 'Our Mozzer's Imperfect List' carried out in Edinburgh? I have been so busy with my family today that I haven't had the chance to study much of the Youtube footage, but I am fairly sure that none of the following happened:


1. There was NO pop act t-shirt
2. Morrissey DIDN'T appear with a Blue Rose
3. Morrissey DIDN'T perform Trouble Loves Me
4. NONE of the band appreared with red spectacles or a lump of wood
5. Morrissey DIDN'T say "Welcome to MorrisseysWorld"
6. Morrissey DIDN'T wear a red AND white rose
7. Boz Boorer DIDN'T wear a pink wig
8. Morrissey DIDN'T wear a SWAG t-shirt
9. Morrissey DIDN'T say the words 'blue rose'......BUT 'COULD' he have made a Twin Peaks reference? I will have to have a closer look at the footage, or wait to see if 'Our Mozzer' tells us. If there WASN'T a reference, does that mean the MorrisseysWorld blog and twitter accounts will close forever as promised? Time will tell.




 A 'mesmerising' review of the Edinburgh concert has been posted on So-low, approximately 1 hour after the concert finished. NOBODY could have written a review that quickly, and the style reminds me of the fantastic review of Morrissey in Reading a few years ago! Could it be the review was written BEFORE the concert, by a certain somebody who KNEW what was coming? Even more strange, the author is 'anonymous'. Here it is:




What would Edinburgh be without the rain?

Who knows...but it wouldn't be Edinburgh.

What would we be without Morrissey?

Happy, well adjusted, successful...normal?

Maybe...but I'm glad I've got Morrissey even if I lack those other things.

The crowd at the Usher Hall is the usual unusual.

Balding, middle-aged men desperately tugging the last few stray strands of hair to attention in an effort to make something that vaguely resembles a quiff.

Young turks with skinny jeans, fat egos and good shoes.

Pretty girls, pretty boys.

At least one skinhead in beautiful shoes.

People old enough to know better.

People young enough to know no different.

As the imperfect list blares from the sound system the atmosphere in the hall transforms us from this rag-tag bunch of misfits into one perfectly formed mass...we're all here because of the tie that binds.

Morrissey hits the stage looking fighting fit and able...trim, muscular, perky.

"Last Night I Dreamt That Somebody Loved Me" is, in any setting and at any time, one of the most beautiful songs in the popular music songbook. It's a bold move to open a concert with a song like this...it's haunting, affecting and full of yearning. Every line is bawled back at the master and when the roof nearly comes off the venue at it's close it all makes sense.

He then roars through "Everyday is Like Sunday" and "Alma Matters" with the band sounding tight and his voice getting stronger with every verse one can't help but feel that this could be a night to remember. Who else could take a single like "Alma" which barely made a dent in the charts and that features on an album that is, at best, patchy by his standards and make it sound like the only song you every wanted to hear?

When he hands the mic to the front row a Northern lass pleads with him; "Coom to Wigan Morrissey...please, coom to Wigan." Taking the mic back he barks "No" and then we are headlong into a clutch of four singles in a row; "I'm Throwing My Arms Around Paris", "You Have Killed Me", "Shoplifters of the World Tonight" and "You're the One for me Fatty". Before he introduces his band of "love hungry bachelors" we are given "Speedway" which is given a re-working but doesn't suffer as a result...if anything it sounds better than ever.

Casual observers and supporters of Morrissey would now be looking for "First of the Gang to Die", "This Charming Man" and "Irish Blood English Heart"...Morrissey isn't one for giving people what they want so instead we are given a blistering rendition of "Maladjusted" which is played with such aggression, such power and such ferocity that I am left reeling. Then it's the glory of "Still Ill", the demanding "One Day Goodbye Will be Farewell" and the hysterical but moving "Ouija Board, Ouija Board" before being emotionally assaulted by "I Know It's Over".

I'm not sure that before tonight any of those songs would feature in my personal "Best of..." collection but after hearing them tonight they won't ever be off of that collection.

At the end of "Let Me Kiss You" Morrissey strips to the waist...not an unusual sight at a Morrissey concert but one which, in recent years (if we are being honest) has resulted in a few downward glances as we have tried to avoid the fact that our personal saviour has fallen victim of middle-age spread. Not tonight. He looks fabulous. I'm saying no more for fear of plunging myself into some sort of homo-erotic coma.

"Todays lesson is that we are all, all of us, minorities..." is the introduction to the only unreleased song we hear tonight. "People are the Same Everywhere" sounds like it is cut from the same cloth as "All You Need is Me" or "Something is Squeezing my Skull". It's power-pop...rocky and raucous. I like it...so there.

The cover version of "To Give" by Frankie Valli is dedicated to Kevin Roberts a Morrissey fan given a mention by a friend in the front row. He passed away earlier this year, was a huge Morrissey fan and his friend wanted to have him remembered so when the mic came to him he told us all about him and Morrissey preceded the song with a simply "For Kevin". A beautiful moment and a none too subtle reminder of how important Morrissey is to so many of us.

"We all know that the British judiciary killed Oscar Wilde and that something similar happened to Shelley, Byron, Keats and Yeats by the establishment. The British establishment rewards mediocrity and the mediocre. It also hates people who are not mediocre so..."
"Please, please, please..." is so moving tonight that, genuinely, I am in tears by the time it ends. I'm confident I'm not the only one.

"I Will See You in Far Off Places" is thumping, loud, aggressive, blistering and rage filled. It's a glorious reminder of why Morrissey matters. Without a record deal, and stubbornly refusing to do the DIY thing, it is easy to see him as old news, yesterdays man. But when he can write songs like this, that have more to say about the world we live in than any public proclamation by the vile David Cameron ever could, it is clear to see why we need him now more than ever.

Most artists like to end on a high note...a romp through a few of the "oldies", the fans favourites...Morrissey chooses to end the set with "Meat is Murder" complete with a gruesome set of images that may well serve to convert yet another generation of fans to the vegetarian cause. It's powerful and political. 

An encore of "How Soon is Now" seems like the only possible way a concert like this could have ended. A trip down memory lane, the greatest single his old band never released, a clarion call to the lonely...it's everything you need to know about Morrissey.

8 singles.

A cover version.

7 Smiths songs.

Album tracks from "Maladjusted", "Vauxhall and I", "Ringleader of the Tormentors", "The Queen is Dead", "The Smiths", "Meat is Murder" and "Strangeways Here We Come" (I'm sure I've missed or mistaken some of the songs...forgive me, it's late).

1 unreleased song.

People will complain no matter what Morrissey plays...there is always something you want, something you are tired of...but the truth is that 20 songs over 90 minutes with all sorts of treats packed in isn't really a set you can complain about.

The last night of the tour...questions over whether or not he will tour again, will he ever release another album, will we see his autobiography? For now though I'm glad I was there...I sang my heart out, I laughed, I cried and I felt part of something. 

What more could you want?

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I was unable to broadcast the Twitterdilly Arms Top 10 on twitter today because I have been too busy in the real world. I will also be unavailable next Tuesday, so the chart will probably be broadcast on Sunday evening. This week I am incredibly busy, but I will trawl the Youtube footage from Edinburgh when I get the chance, and MAYBE I will find a Twin Peaks reference, although seeing as I've NEVER seen a single episode, it may be hard! If anybody else could help out, it would be appreciated.


And finally Esther, and finally Cyril, the author of the Manchester review that I posted yesterday, Rob Pollard, sent me a tweet to ask more about MorrisseysWorld, so I sent him a copy of my 'WHO IS MORRISSEYSWORLD?'. He read it, and then tweeted me to say, "I don't buy it I'm afraid. A man with Morrissey's impeccable style and taste would not produce a site that looks like that. He's also a better writer." It would appear that Rob has missed that it's an ironic blog, and he joins the LARGE group of people who have dismissed MorrisseysWorld as a fake on the sole basis that "MORRISSEY JUST WOULDN'T DO THAT", and NOT on the evidence......but then Rob isn't the first, and he won't be the last.

TWITTERDILLY ARMS TOP 10 - WEEK BEGINNING SUNDAY JULY 29TH - Not Broadcast.

1. I KNOW IT'S OVER (LIVE IN ISTANBUL) - MORRISSEY (NO CHANGE)
2. LAST NIGHT I DREAMT (LIVE IN TEL AVIV) - MORRISSEY (NEW ENTRY)
3. TROUBLE LOVES ME - MORRISSEY (UP 3)
4. HEART - RITA PAVONE (UP 1)
5. KIMBERLY/HOW SOON IS NOW? (LIVE IN ATHENS) - MORRISSEY (DOWN 3)
6. THE IMPERFECT LIST - BIG HARD EXCELLENT FISH (DOWN 3)
7. LAISSE TOMBER LES FILLES - FRANCES GALL (DOWN 3)
8. I'VE CHANGED MY PLEA TO GUILTY - MORRISSEY (RE-ENTRY)
9. ALL OVER THE WORLD - FRANCOISE HARDY (RE-ENTRY)
10. LIFE'S NOT SHORT IT'S SOOO LONG - KRISTEEN YOUNG (NO CHANGE)

4 comments:

  1. Good point about that review - if it had been pre-written, it would have only needed updating (re the Moz fan who died). I especially love the self-deprecating humour about stripping to the waist and the homo-erotic coma!

    I truly hope that it won't be the end of MW - especially the tweets. You tweeted earlier that the band has worn the COSH T-shirts before and that therefore the urban dictionary reference would not count. When did they wear them before? I can't remember - it all seems to blend into one!

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  2. I did like the way he emulated Ratty by stuffing things down his pants during 'Fatty'!

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  3. The review is brilliant, love when it says, "Morrissey isn't one for giving people what they want." How very true, seems to be the case with these last two concerts regarding the expectations of the Blue Rose Society. But that's one of the reasons we love Morrissey - always full of surprise and mystery, challenging us and inspiring us to think.

    Like Sabine, I was wondering when the COSH shirts were previously worn. I don't think that automatically negates their relevance here. Like Rat, I'm afraid I'm not familiar enough with Twin Peaks to be able to catch a reference unless it's blatant. Let's hope this isn't the end of the blog and twitter - I'm not sure how we could survive without them.

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  4. It seems to me that our dear Moz would do things that we DON'T expect rather than the reverse.
    There do not seem to have been any signs, perhaps they were so
    subtle we missed them ?

    I would love for Mr M to continue on Twit, because Twitterdilly would be a sadder place without him.
    If something has to go, let it be the MW blog.
    Many thanks Rats for taking time to update your great blog.

    ReplyDelete

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